MATCHDAY INFERENCE Zine Nº 00 · pre-launch
Nº 05 — Back Matter

COLOPHON

what stapled it, and what it's set in ↘

Every zine worth its staples tells you how it was made. Here's ours — the type, the desk, and the data.

Nº 01 — The Type

Set in six faces

Anton

The mastheads and the big stencilled hits. Heavy, condensed, unrepentant.

Yeseva One

The eccentric serif for headlines and ledes — the one bit of elegance allowed in.

Allerta Stencil

Strip lines and section markers. Spray-through-a-template energy.

Caveat

The handwriting in the margins — annotations, arrows, the human in the gutter.

DM Sans

The body. What you actually read. Quiet so the rest can shout.

Space Mono

Labels, datelines, the machine's own voice. Monospace because a machine made this.

Nº 02 — The Desk

What does the stapling

The issue you read is generated, not curated. Each morning a Python pipeline pulls the day's real fixtures, runs eight writing passes through your chosen lens, and renders the result into the zine you're looking at.

No photography. No AI-generated images. Typography is the only picture this zine owns — it's cheaper, it's rights-clean, and it suits the photocopier.
Nº 03 — The Lineage

Where the look comes from

Sub Pop circa 1990. Cassette inserts, gig flyers stapled to telephone poles, the smear of a copier run too many times. Cream, ink, hot pink, cobalt, highlighter yellow. If it looks polished, something has gone wrong.

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